A Tapestry of Love, Individuality, and the Human Psyche: Subin Bhattarai’s ‘Chameliko Phool Baijani Rumal’
Subin Bhattarai’s latest literary offering, the story collection titled ‘Chameliko Phool Baijani Rumal’ (The White Jasmine Flower and the Purple Handkerchief), presents a vibrant mosaic of human experience, a departure from the more focused narratives of his previous works like ‘Summer Love’ and ‘Saya’. This collection, as Bhattarai himself describes, is a “rainbow convergence,” delving into the multifaceted nature of life through layered motifs and emotionally rich characters. Each story, while distinct in its narrative thread, is intricately woven together by the universal, yet often undefined, threads of love and relationships.
The collection boldly explores themes that challenge conventional thinking, including unconventional relationships, female sexuality, and the complexities of the human psyche. These profound subjects are artfully presented against the backdrop of ordinary, domestic settings, highlighting the inherent beauty found in the mundane. Bhattarai masterfully examines how relationships deviate from societal norms, the significant impact of societal expectations on mental well-being, the pervasive influence of love on our decisions, and the swiftness with which pride can shatter harmony.
While relationships are a central pillar of the collection, Bhattarai places a significant emphasis on individuality and self-discovery. The theme of independence and singularity is particularly pronounced in the fifth story, ‘Sajha’. This narrative centers on a young woman who finds her voice and asserts her identity in defiance of societal constraints. The story’s progressive ideologies are seamlessly integrated with cultural relevance, offering a compelling portrayal of life’s diverse journeys.
The internal struggles of the characters, whether consciously acknowledged or subconsciously harbored, manifest in their actions and the eventual outcomes of their lives. In the second story, ‘Chameliko Phool Baijani Rumal’, the character Shirisha, grappling with dissatisfaction in her arranged marriage, finds a silent solace in a burgeoning connection with a newly met woman. These events, though often unfolding with a sense of everyday realism, subtly underscore the pervasive torment of repression, the corrosive nature of guilt, and the unyielding fight for personal freedom.
Bhattarai’s narration also authentically captures the ephemeral nature of relationships, illustrating how they can both be forged and fractured. The collection reveals how a few impassioned words can irrevocably damage a bond, while at other times, the quiet, unspoken presence of another person can be the very foundation upon which a relationship is built.
The writing style employed by Bhattarai resonates deeply with the contemporary Nepali youth. The dialogue between characters is infused with a natural realism, often punctuated by sharp wit and sarcasm. Whether they are lamenting the pervasive issue of unemployment or contemplating the prospect of pursuing education abroad, the characters’ introspective moments are imbued with a dark humor that effectively balances the more intense thematic explorations of the book. Furthermore, these characters’ monologues serve as powerful prompts, sparking thought-provoking questions that invite readers to introspect about their own lives and the world around them. Every narrative element contributes to breathing life and soul into each story, allowing readers to connect with and feel the emotional dissonance experienced by the characters.
A poignant observation on human connection is captured in a quote from the first story: “A person always manages to find themselves in others’ stories. People have learnt to be happy and sad through this quality.” This statement, uttered by the protagonist as he learns about the romantic history of a distant acquaintance, encapsulates the essence of the entire collection. The narrative subtly observes the inherent human capacity to connect through shared life experiences.
Decoding the Symbols: The Jasmine Flower and the Purple Handkerchief
The title itself, ‘Chameliko Phool Baijani Rumal’, initially presents a subtle enigma to readers. The white jasmine flower and the purple handkerchief are far more than mere decorative elements; they serve as evocative symbols, subtly hinting at the inner thoughts and emotions of the characters.
- The White Jasmine Flower: This symbol represents love, new beginnings, and the inherent innocence of human beings. It speaks to purity and the potential for blossoming connections.
- The Purple Handkerchief: In contrast, the purple handkerchief signifies the hidden, the mysterious, and the subconscious depths of human experience. It suggests that which is concealed, perhaps even unspoken desires or anxieties.
When brought together, these symbols create a powerful emblem of concealed desire and emotional contradiction, mirroring the internal conflicts and struggles faced by the characters. While their interpretation may vary, they undoubtedly leave an indelible mark on the reader’s imagination.
Exploring Complex Bonds: The Grandfather-Grandson Dynamic in ‘Bhui’
Among the diverse narratives, the story ‘Bhui’ stands out for its portrayal of a particularly complex relationship between a grandfather and his grandson. Their bond, though not characterized by estrangement, encapsulates the bittersweet reality of intergenerational love. The grandson, Nitesh, remains largely oblivious to the lifelong care and sacrifices his grandfather has made for him. It is only at a critical juncture, when it is too late to reciprocate fully, that he begins to grasp the depth of his grandfather’s devotion. This story serves as a poignant reminder to contemporary generations to cultivate greater understanding and empathy towards their parental figures.
Navigating Time and Trauma: Narrative Structure and Sensitive Themes
The narrative structure, with its deliberate shifts between a character’s past and present, can occasionally disorient readers, creating moments of temporal ambiguity. While section breaks are employed to indicate time jumps, the fluid movement between different life stages of a character can sometimes feel unclear. Nevertheless, these transitions contribute to the collection’s momentum, enhancing its overall engagement.
Bhattarai also courageously tackles subjects often relegated to taboo, such as reproductive health. He delves not only into the physical aspects associated with these issues but also sheds light on the immense psychological pressure that accompanies them. The narrative adeptly illustrates how characters navigate these challenging circumstances. As conversations surrounding such stigmatized topics become more prevalent, Nepali literature is progressively dismantling traditional barriers and embracing a more progressive and inclusive discourse.
Completing the seven stories within ‘Chameliko Phool Baijani Rumal’ invites readers into a profound journey through Bhattarai’s literary landscape. These stories transcend mere entertainment, functioning instead as mirrors that reflect our individual identities and our collective societal standing.
‘Chameliko Phool Baijani Rumal’ offers a singular reading experience for those who seek solace in the unconventional and aspire to understand new dimensions of love through literature.
Chameliko Phool Baijani Rumal
Author: Subin Bhattarai
Publisher: FinePrint
Year: 2025
