Audrey Hobert’s journey from intimate acoustic performances to headline shows has been nothing short of remarkable. The last time many saw her was in October 2025, when she delivered a solo acoustic set at Sydney’s Lansdowne Hotel. The event was designed to be an exclusive experience, with 350 fans chosen by ballot to attend. These fans, dressed in tiaras and fluorescent tights, were encouraged to engage fully with the performance, often without the distraction of their phones. During the show, Hobert even disappeared into the crowd for a lively reprise of her debut single, “Sue Me.” This level of intimacy was a deliberate choice, creating a personal connection between the artist and her audience.
Since then, much has changed. Hobert released her first full-length album, Who’s The Clown?, which quickly climbed the charts. Her brother, musician Malcolm Todd, paid tribute to his elder sister, highlighting the family’s deep connection to music. The Staircase To Stardom tour took her across international cities, from Los Angeles to Auckland, and now she finds herself in front of a crowd of 2,500 at Sydney’s Enmore Theatre, ready to provide the soundtrack to what feels like a coming-of-age film.
The performance is a far cry from the intimate setting of the Lansdowne Hotel. Now, Hobert is delivering a 45-minute gig complete with props and a live backing band. While the production values have increased, the emotional core of her music remains unchanged. Her confessional lyrics and unselfconscious choreography continue to resonate with audiences, proving that her artistry is as powerful as ever.
Triple J was there to witness this milestone moment in Hobert’s career, and their reactions highlight the significance of the night:
Hannah, Triple J: “From watching her intimate performance at The Toff in Melbourne last October, being a part of a completely packed Enmore Theatre crowd seven months later just confirmed the superstardom of Audrey. She had the audience captivated the entire show, singing along to every single word to every single song — an amazing feat one year on from her debut single.”
Jess, Triple J: “To set the scene, she opens the show in an oversized trench coat, novelty glasses, a headset mic and banjo in hand, earnestly smiling through ‘I like to touch people’. Only Audrey Hobert can swing so effortlessly between emotional catharsis and complete ridiculousness. Equal parts pop star and performance artist, armed with some of the funniest and most devastating lyrics around.”
Max, Triple J Unearthed: “You can’t tell me we didn’t just watch Next Gen Taylor Swift. You just can’t! All I can tell you is what I saw: a room full of young women, absolutely activated by Audrey’s bold and breakneck inner monologue style of songwriting. She’s your big sister. She’s your cool cousin. She’s… you?”
Sarah, Triple J: “Audrey strikes me as funny, energetic and verbose — exactly what you’d expect the narrator of ‘Bowling Alley’ to be like in person. She’s here to express herself, rather than cater to an imaginary idea of what fans want to hear. It’s not so wrong to think everyone loves her.”
Dave, Triple J: “I could go on in depth about the captivating spell that Audrey’s put her Australian fans under and how that manifested live with singalongs deluxe — but I wanna shout out just how much fun this show was. Audrey Hobert indulges whims (like opening the set on stilts) and dots her performance with easter eggs (such as car crash sound effects, cartwheeling stagehands, and the iconic THX sweeper playing between tracks). It all comes together to make a memorable and uproarious good time.”
Lauren, Triple J: “Audrey healed something in me, plain and simple. She gives voice to the ridiculousness of womanhood as if to say: ‘me too, girl’. We are so lucky to witness her rise to stardom.”
Triple J presenter Frankie also attended the second of Audrey’s shows at the Enmore, reflecting on the impact of the performance:
- Frankie, Triple J: “So honest, and funny without trying. It’s raw and offers a new perspective not often seen from young women in pop. Maybe this is just me, but there’s something about her music that’s almost reminiscent of 2000s pop-punk bands like Sum 41.”
Hobert’s evolution from a small acoustic performance to a large-scale concert has been marked by authenticity, creativity, and an unwavering connection with her audience. Her ability to balance humor, vulnerability, and musicality has made her a standout figure in the Australian music scene. As she continues to grow, it’s clear that her journey is only just beginning.
