A New Era for Graphic Novels in Australia
When Lee Lai won this year’s Stella Prize, she made history in two significant ways. First, she became the first non-binary person to receive the award. Second, her book, Cannon, is the first graphic novel to claim the prestigious prize. These achievements are worth celebrating, especially as they highlight the growing recognition of graphic novels as a serious literary form.
For many years, graphic novels have been unfairly confined to a niche category, often associated with children’s books, Japanese comics, superheroes, and space adventures. However, the genre has evolved significantly over the years, becoming more thoughtful, innovative, and challenging. It started with works like Maus by Art Spiegelman, which used a unique visual metaphor to tell the story of the Holocaust. Other landmark titles include Persepolis by Marjane Satrapi and Fun Home by Alison Bechdel, both of which have expanded the possibilities of the medium.
In the United States, some graphic novelists have achieved celebrity status. Daniel Clowes, for example, emerged from the alternative comics scene and has since gained widespread acclaim for his work. His latest novel, Monica, is praised as “a dazzling romp” and a testament to his influence on the graphic novel landscape.
In Australia, however, producing adult-oriented graphic novels remains a challenge. They require substantial time and resources, and few publishers are willing to take the risk. Lai, who now lives in Montreal, credits Australian publisher Giramondo for acquiring Cannon. Despite these challenges, there are signs of growth in the market, particularly among younger readers.
New publishers like Perentie Press are focusing on graphic novels for children and young adults. Their recent release, The Curator by Wendy Tyrer, explores the struggles of a Melbourne art student in a world where artists mysteriously disappear. This kind of storytelling is resonating with young readers, who often transition from picture books to graphic novels with enthusiasm.
Some parents worry that children may never move on to traditional text-based books. However, there are high-quality graphic novels that can serve as a bridge to more complex literature. Ghost Book by Remy Lai, which won the 2024 Victorian Premier’s Literary Awards, is one such example. Inspired by Chinese mythology, it tackles themes of life, death, and destiny while being accessible and engaging for younger audiences.
Remy Lai’s other work, Chickenpox, follows a big sister dealing with four itchy siblings. The story blends humor and heart, making it a popular choice for families. Another notable title is Underground: Marsupial Outlaws and Other Rebels of Australia’s War in Vietnam by Mirranda Burton, which won the Readings Young Adult Prize in 2022. Based on interviews with veterans and activists, it offers a unique perspective on Australia’s involvement in the Vietnam War, featuring a draft dodger who turns out to be a pet wombat.
Graphic novels today offer a rich variety of stories and styles, often reaching places that words alone cannot. As the genre continues to grow and evolve, it is clear that it has a valuable place in the literary world. I look forward to seeing more groundbreaking works emerge from this dynamic and diverse medium.
The Booklist is a weekly newsletter for book lovers from Jason Steger.
Get it delivered every Friday.
